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Monday, September 6, 2010

Film Review: LET'S KILL UNCLE, BEFORE UNCLE KILLS US (1966, William Castle)

Stars: 5 of 5.
Running Time: 92 minutes.
Notable Cast or Crew: Nigel Greene (JASON AND THE ARGONAUTS, THE IPCRESS FILE, ZULU), Pat Cardi (AND NOW MIGUEL, HORROR HIGH), Mary Badham (Scout in TO KILL A MOCKINGBIRD), Linda Lawson (SOMETIMES A GREAT NOTION, NIGHT TIDE).
Tag-lines: "Lovable or Lethal? Are they bad seeds...or two frightened innocents caught in a diabolical duel with death?"
Best one-liner: "I'm hiding behind a door...but which one? There are so many doors."

I'm speechless. I had the opportunity to see this otherwise unavailable gem as a part of "The Return of William Castle" series at Film Forum last week, and I must say that I haven't laughed as hard or had my mind blown so ferociously since HAUSU. Feeling a bit like a live-action Choose Your Own Adventure directed by Alfred Hitchcock while on a goofball-fueled frenzy, William Castle's LET'S KILL UNCLE BEFORE UNCLE KILLS US has a perverse matter-of-factness, a gushingly infectious joie de vivre, and a 'gosh-darn-it' streak of lovable sadism- all of which serve to confound, confuse, and, ultimately, amaze the viewer. It's far ahead of its time, and as such, its black comedic achievements seem even greater when you realize that this film was marketed (and successfully so!) to children.

Not unlike the sort of vaguely morbid inanity I amused myself with as a youth.

Based on the novel by Rohan O'Grady, the plot is as simplistic as it is ridiculous: upon the death of his father (who I'm pretty sure is played by an uncredited William Castle), young Barnaby Harrison (Pat Cardi) is shipped off to 'Serenity Island,' a cursed, tropical, shark-infested rock where he is set to meet the only other surviving Harrison heir, Uncle Kevin (Nigel Greene). Uncle Kevin is an ex-WWII British commando and a colossal dick who refuses to beat around the bush: he immediately informs Barnaby that they shall commence playing a dangerous game- they must try to murder one another, and the last man standing will inherit the (sizable) family fortune. Only there's–

"One rule of the game I didn't tell you.... UNCLE ALWAYS WINS!"

Nigel Greene's 'Uncle Kevin' has got to be one of the most entertaining villains in all of filmdom. Whether doing karate pratfalls, voraciously devouring raw beef and uncooked eggs, attempting to set children on fire, slapping kids around, wearing a ginormous chef's hat, or hypnotizing with his wild, Svengalian eyes, he approaches it the task at hand with that mild bemusement that only the British can muster, with a curled lip and an upraised eyebrow.

Uncle Kevin prepares to fling an errant youngster.

Now, I'd seen Nigel Greene before- in everything from ZULU to BEAT GIRL to JASON AND THE ARGONAUTS. I was never too impressed, even saying in my JASON review that I thought his Hercules looked as majestic as a car wash employee. As of this moment, I'd like to take it all back. The man is a treasure. And I would go as far as to say that this little known performance has influenced everything from Anthony Hopkin's dinner escapades in TITUS to Richard Burton's Colonel Faulkner in THE WILD GEESE.

Pat Cardi's 'Barnaby' is a complex little lad. On the one hand, he annoys with his self-congratulatory 'Richie Rich' attitude, kind of a proto-Rob Stone (from MR. BELVEDERE).

But on the other, you sort of relate to him: he's being hunted to the death by one smug operator who's forty years his senior and hums little English ditties to himself as he douses his prey in gasoline.

On his own, l'il Barnaby doesn't stand a chance. But when he's teamed with girlish foil Chrissie (Mary Badham- Scout from TO KILL A MOCKINGBIRD!?), things start to get really out of hand.

LET'S...KILL...UNCLE...FIRST!

Chrissie really raises the stakes, going from timid tomboy to frenzied, bloodthirsty cutthroat in mere seconds based solely on Barnaby's heavily compressed, haphazard summary of what's really going on– a transformation that's even more hilarious given that Barnaby has done nothing but lie to her up to that point.

Once the war is on (and the Harrison estate declared 'Switzerland'- neutral ground), Castle wastes no time and we are entreated to ludicrous, breakneck game of cat and mice:

Swimming pools filled with sharks!

Whooa-oa-oa-oaaaa!

NUM NUM NUM

The Ketchman- a legless, heavily-scarred local who pops up every once in a while bearing dead fish and sharpened blades for a cheap jump scare:

Played by Ref Sanchez who later ended up as Igor in Woody Allen's EVERYTHING YOU WANTED TO KNOW ABOUT SEX BUT WERE AFRAID TO ASK.

Unworldly jungle noises (which supposedly emanate from a toucan)! Hypnosis, using a Hong Kong Triad medal as a pendulum! Poisonous mushrooms! Stock footage!

Nocturnal tarantula attacks!


An airplane which runs out of fuel, mid-flight!

We've got all this and more in LET'S KILL UNCLE BEFORE UNCLE KILLS us!

So here's hoping that the semi-recent William Castle box set is doing well enough at the cash registers to drum up a Volume 2, which could conceivably contain such glorious, unavailable offerings as this, THE NIGHT WALKER, I SAW WHAT YOU DID, SHANKS, PROJECT X, THE SPIRIT IS WILLING, or MACABRE.

-Sean Gill

6. BLIND FURY (1989, Philip Noyce)
7. HIS KIND OF WOMAN (1951, John Farrow)
8. HIGH SCHOOL U.S.A. (1983, Rod Amateau)
9. DR. JEKYLL AND MS. HYDE (1995, David Price)
10. MIDNIGHT IN THE GARDEN OF GOOD AND EVIL (1997, Clint Eastwood)
11. 1990: BRONX WARRIORS (1982, Enzo G. Castellari)
12. FALLING DOWN (1993, Joel Schumacher)
13. TOURIST TRAP (1979, David Schmoeller)
14. THE THREE MUSKETEERS (1973, Richard Lester)
15. BIG TROUBLE IN LITTLE CHINA (1986, John Carpenter)
16. TOP GUN (1986, Tony Scott)
17. 48 HRS. (1982, Walter Hill)
18. ONCE UPON A TIME IN MEXICO (2003, Robert Rodriguez)
19. TALES OF THE CITY (1993, Alastair Reid)
20. WHITE LINE FEVER (1975, Jonathan Kaplan)
21.
99 AND 44/100% DEAD (1974, John Frankenheimer)
22.
LET'S KILL UNCLE, BEFORE UNCLE KILLS US (1966, William Castle)
23. ...

Thursday, September 2, 2010

Updated, Browsable List of All Reviews- September 2010

#
3 MEN AND A BABY (1987, Leonard Nimoy)
THE 3 MUSKETEERS (1973, Richard Lester)
7 DAYS IN MAY (1964, John Frankenheimer)
48 HRS. (1982, Walter Hill)
52 PICK-UP (1986, John Frankenheimer)
99 AND 44/100% DEAD (1974, John Frankenheimer)
1990: BRONX WARRIORS (1982, Enzo G. Castellari)

A
THE A-TEAM: "TAXICAB WARS" (1983, Gilbert M. Shilton)
THE ABOMINABLE DR. PHIBES (1971, Robert Fuest)
ACTION JACKSON (1988, Craig R. Baxley)
ADAM RESURRECTED (2008, Paul Schrader)
ALAMO BAY (1985, Louis Malle)
ALICE COOPER: PRIME CUTS (1991, Neal Preston)
ALIEN NATION (1988, Graham Baker)
ALL THAT JAZZ (1979, Bob Fosse)
ALLIGATOR (1980, Lewis Teague)
ANGEL HEART (1987, Alan Parker)
ANTICHRIST (2009, Lars Trier)
A*P*E (1976, Paul Leder)
APPALOOSA (2008, Ed Harris)
THE APPLE (1980, Menahem Golan)
APRIL FOOL'S DAY (1986, Fred Walton)
ARTHUR (1981, Steve Gordon)

B
THE BAD LIEUTENANT: PORT OF CALL NEW ORLEANS (2009, Werner Herzog)
BALTIKA EXTRA 9 (2008, Russia)
BASKET CASE (1982, Frank Henenlotter)
BATTLE IN HEAVEN (2005, Carlos Reygadas)
BEAT GIRL (1959, Edmond T. Gréville)
BEAT STREET (1984, Stan Lathan)
THE BEGUILED (1971, Don Siegel)
BEST WORST MOVIE (2009, Michael Stephenson)
BIG BLOW (2000, United States)
THE BIG CLEAN (198?, Michael Ironside)
BIG TROUBLE IN LITTLE CHINA (1986, John Carpenter)
"BIG TROUBLE IN LITTLE CHINA" (1986, The Coup de Villes)
BILL AND COO (1948, Dean Riesner)
THE BIRD WITH THE CRYSTAL PLUMAGE (1970, Dario Argento)
BLADE RUNNER (1982, Ridley Scott)
THE BLACK CAT (2007, Stuart Gordon)
BLACK MOON RISING (1986, Harley Cokliss)
BLIND FURY (1989, Philip Noyce)
THE BLOOD OF HEROES (1989, David Webb Peoples)
BLUE COLLAR (1978, Paul Schrader)
BLUE DIAMOND BEER (2005, China)
BLUE STEEL (1989, Kathryn Bigelow)
THE BLOB (1988, Chuck Russell)
BLOOD WORK (2002, Clint Eastwood)
BOARDING GATE (2008, Olivier Assayas)
BODY DOUBLE (1984, Brian De Palma)
BODY OF EVIDENCE (1993, Uli Edel)
BODY PARTS (1991, Eric Red)
BORDERLINE (1980, Jerrold Freedman)
BOXING HELENA (1993, Jennifer Chambers Lynch)
BRAINSCAN (1994, John Flynn)
BROKEN ARROW (1996, John Woo)
BRONX WARRIORS (1982, Enzo G. Castellari)
THE BUDDY HOLLY STORY (1978, Steve Rash)
BUFFY THE VAMPIRE SLAYER (1992, Fran Rubel Kazui)
BUIO OMEGA (1979, Joe D'Amato)
BULLETPROOF (1988, Steve Carver)

C
CANDYMAN (1992, Bernard Rose)
CANE TOADS: AN UNNATURAL HISTORY (1988, Mark Lewis)
THE CARD PLAYER (2004, Dario Argento)
CARMEN (1983, Carlos Saura)
CASTLE FREAK (1995, Stuart Gordon)
THE CAT (1992, Ngai Kai Lam)
CHAMPAGNE COLA (2009, United States)
THE CHANGELING (1980, Peter Medak)
CHARLES BRONSON'S MANDOM 1-3 (197?, Nobuhiko Obayashi)
CHARLES BRONSON'S MANDOM 4-5 (197?, Nobuhiko Obayashi)
CHARLES BRONSON'S MANDOM 6 (197?, Nobuhiko Obayashi)
CHELSEA ON THE ROCKS (2009, Abel Ferrara)
CHOOSE YOUR OWN ADVENTURE #84: YOU ARE A MONSTER (1988, Edward Packard)
CHOPPING MALL (1986, Jim Wynorski)
C.H.U.D. (1984, Douglas Cheek)
CLASS OF 1984 (1982, Mark L. Lester)
COFFY (1973, Jack Hill)
COMBAT SHOCK (1986, Buddy Giovinazzo)
THE COMPANY OF WOLVES (1984, Neil Jordan)
CONQUEST (1983, Lucio Fulci)
COPYING BEETHOVEN (2006, Agnieszka Holland)
THE COTTON CLUB (1984, Francis Ford Coppola)
CRITTERS (1986, Stephen Herek)
CRITTERS 2: THE MAIN COURSE (1988, Mick Garris)
CRITTERS 3: YOU ARE WHAT THEY EAT (1991, Kristine Peterson)
CRITTERS 4: THEY'RE INVADING YOUR SPACE (1991, Rupert Harvey)
CUTTER'S WAY (1981, Ivan Passer)
CUTTING CARDS (1990, Walter Hill)

D
DAD'S OLD FASHIONED BLUE CREAM SODA (2009, United States)
DAGON (2001, Stuart Gordon)
DARK BLUE (2003, Ron Shelton)
THE DARK CRYSTAL (1982, Jim Henson & Frank Oz)
DARK FORCES (1980, Simon Wincer)
DARK PASSAGE (1947, Delmer Daves)
DAVID (1988, John Erman)
DEAD & BURIED (1981, Gary Sherman)
DEAD HEAT (1988, Mark Goldblatt)
DEAD LIKE ME: LIFE AFTER DEATH (2009, Stephen Herek)
DEAD MAN'S CURVE (1986, Roger Vadim)
THE DEAD POOL (1988, Buddy van Horn)
DEADBEAT AT DAWN (1988, Jim van Bebber)
THE DEADLY SPAWN (1983, Douglas McKeown)
DEADLY WEAPONS (1974, Doris Wishman)
DEATH HUNT (1981, Peter R. Hunt)
DEATH WISH (1974, Michael Winner)
DEATH WISH II (1982, Michael Winner)
DEATH WISH 3 (1985, Michael Winner)
DEATH WISH 4: THE CRACKDOWN (1987, J. Lee Thompson)
DEATH WISH V: THE FACE OF DEATH (1994, Allan A. Goldstein)
DEEP RED (1975, Dario Argento)
THE DELTA FORCE (1986, Menahem Golan)
DEMONS 2 (1986, Lamberto Bava)
THE DEVILS (1971, Ken Russell)
DIARY OF THE DEAD (2008, George A. Romero)
DILLINGER (1973, John Milius)
DIRTY HARRY (1971, Don Siegel)
DR. JEKYLL AND MS. HYDE (1995, David Price)

E
THE EARRINGS OF MADAME DE... (1953, Max Ophüls)
EATING RAOUL (1982, Paul Bartel)
ENCYCLOPEDIA BRITANNICA PROCUREMENT (2009, United States)
THE END (1978, Burt Reynolds)
ENTER THE NINJA (1981, Menahem Golan)
ESCAPE FROM L.A. (1996, John Carpenter)
ESCAPE FROM NEW YORK (1981, John Carpenter)
EUREKA (1983, Nicolas Roeg)
THE EVIL THAT MEN DO (1984, J. Lee Thompson)
EXOTICA (1994, Atom Egoyan)
THE EXTERMINATOR (1980, James Glickenhaus)
EXTERMINATOR 2 (1984, Mark Bunztman)
EXTREME JUSTICE (1993, Mark L. Lester)
EXTREME PREJUDICE (1987, Walter Hill)

F
FACE/OFF (1997, John Woo)
THE FACULTY (1998, Robert Rodriguez)
FALLING DOWN (1993, Joel Schumacher)
FANCY FOOTWORK (1952, Martin Rackin)
THE FANTASTIC MR. FOX (2009, Wes Anderson & Mark Gustafson)
FAREWELL, MY LOVELY (1975, Dick Richards)
FAREWELL TO THE KING (1989, John Milius)
FAST FORWARD (1985, Sidney Poitier)
FAT CITY (1972, John Huston)
FATAL BEAUTY (1987, Tom Holland)
FEAST II: SLOPPY SECONDS (2008, John Gulager)
FEAST III: THE HAPPY FINISH (2009, John Gulager)
FIRESTARTER (1984, Mark Lester)
FIREWALKER (1986, J. Lee Thompson)
THE FIRM (1993, Sydney Pollack)
FLASHDANCE (1983, Adrian Lyne)
FLASHPOINT (1984, William Tannen)
FLESH + BLOOD (1985, Paul Verhoeven)
FLESHBURN (1984, George Gage)
THE FOG (1980, John Carpenter)
FOR Y'UR HEIGHT ONLY (1981, Eddie Nicart)
FORCED TO KILL (1994, Russell Solberg)
FOREVER MINE (1999, Paul Schrader)
FOXY BROWN (1974, Jack Hill)
FRANKENHOOKER (1990, Frank Henenlotter)
FREDDY VS. JASON (2003, Ronny Yu)
FREDDY'S DEAD: THE FINAL NIGHTMARE (1991, Rachel Talalay)
FREDDY'S GREATEST HITS- PART 1 (1987, The Elm Street Group)
FREDDY'S GREATEST HITS- PART 2 (1987, The Elm Street Group)
FREEBIE AND THE BEAN (1974, Richard Rush)
FREEJACK (1992, Geoff Murphy)
FRIDAY THE 13TH PART III: IN 3-D (1982, Steve Miner)
FRIDAY THE 13TH PART VIII: JASON TAKES MANHATTAN (1989, Rob Hedden)
THE FRIENDS OF EDDIE COYLE (1973, Peter Yates)
FROGS (1972, George McCowan)
FROM A WHISPER TO A SCREAM (1987, Jeff Burr)
FROZEN RIVER (2008, Courtney Hunt)

G
GEEK MAGGOT BINGO (1983, Nick Zedd)
GET CARTER (1971, Mike Hodges)
THE GHOST MAKER: A HALLOWEEN TALE (1988, John Carpenter)
GHOULIES III: GHOULIES GO TO COLLEGE (1991, John Carl Buechler)
A GIRL CUT IN TWO (2008, Claude Chabrol)
THE GIRL ON A MOTORCYCLE (1968, Jack Cardiff)
GOTHIC (1986, Ken Russell)
GRAN TORINO (2008, Clint Eastwood)
LA GRANDE BOUFFE (1973, Marco Ferreri)
GUINNESS- PURE GENIUS: PART 1 (1987-1993, Rutger Hauer)
GUNCRAZY (1992, Tamra Davis)

H
HALLOWEEN III: SEASON OF THE WITCH (1982, Tommy Lee Wallace)
HANG 'EM HIGH (1968, Ted Post)
HAPPY (1983, Lee Philips)
HAPPY-GO-LUCKY (2008, Mike Leigh)
HARD RAIN (1998, Mikael Salomon)
HARD TICKET TO HAWAII (1987, Andy Sidaris)
HARLEQUIN (1980, Simon Wincer)
HAUSU (1977, Nobuhiko Obayashi)
HEARTBREAK RIDGE (1986, Clint Eastwood)
HELL IN THE PACIFIC (1968, John Boorman)
HELLBOUND (1994, Aaron Norris)
HELLBOUND: HELLRAISER II (1988, Tony Randel)
HELLO MARY LOU: PROM NIGHT II (1987, Bruce Pittman)
HELLRAISER (1987, Clive Barker)
HERO AND THE TERROR (1988, William Tannen)
THE HEROIN BUSTERS (1977, Enzo G. Castellari)
HI, MOM! (1970, Brian De Palma)
HIGH SCHOOL U.S.A. (1983, Rod Amateau)
HIGH SPIRITS (1988, Neil Jordan)
HIS KIND OF WOMAN (1951, John Farrow)
THE HIT (1984, Stephen Frears)
THE HITCHER (1986, Robert Harmon)
THE HITCHHIKER: "DEAD MAN'S CURVE" (1986, Roger Vadim)
THE HITCHHIKER: "HOMEBODIES" (1987, Carl Schenkel)
THE HITCHHIKER: "LAST SCENE" (1986, Paul Verhoeven)
THE HITCHHIKER: "THE LEGENDARY BILLY B." (1987, Chris Thomson)
THE HITCHHIKER: "STRIPTEASE" (1986, Jerry Ciccoritti)
THE HITCHHIKER: "W.G.O.D." (1985, Mike Hodges)
HOMEBODIES (1987, Carl Schenkel)
HOMECOMING (2005, Joe Dante)
HOMICIDAL (1961, William Castle)
HOMICIDE (1991, David Mamet)
HOOPER (1978, Hal Needham)
HOUSE OF WAX (1953, Andre de Toth)
THE HOUSE ON HAUNTED HILL (1959, William Castle)
HOUSE III: THE HORROR SHOW (1989, James Isaac)
HUDSON HAWK (1991, Michael Lehmann)
HUNGER (2008, Steve McQueen)
THE HUNT FOR RED OCTOBER (1990, John McTiernan)
THE HURT LOCKER (2009, Kathryn Bigelow)

I
IN THE LOOP (2009, Armando Iannucci)
IN THE MOUTH OF MADNESS (1994, John Carpenter)
INDIANA JONES AND THE TEMPLE OF DOOM (1984, Steven Spielberg)
INFERNO (1980, Dario Argento)
INTRUDER (1989, Scott Spiegel)
INVASION OF THE BODY SNATCHERS (1978, Philip Kaufman)
IRISH POTCHEEN (2006, Ireland)


J
JASON AND THE ARGONAUTS (1963, Don Chaffey)
A JOHN WATERS CHRISTMAS (2009, John Waters)
JOHNNY HANDSOME (1989, Walter Hill)

K
KELLY'S HEROES (1970, Brian G. Hutton)
KEOMA (1976, Enzo G. Castellari)
KILLER WORKOUT (1986, David A. Prior)
THE KILLERS (1964, Don Siegel)
KING OF THE ANTS (2003, Stuart Gordon)
KUFFS (1992, Bruce A. Evans)

L
LABATT MAXIMUM ICE (1993, Michael Ironside)
THE LAIR OF THE WHITE WORM (1988, Ken Russell)
THE LAST DAYS OF DISCO (1998, Whit Stillman)
THE LAST DETAIL (1973, Hal Ashby)
LAST SCENE (1986, Paul Verhoeven)
THE LAST SHARK (1981, Enzo G. Castellari)
LEATHERFACE: THE TEXAS CHAINSAW MASSACRE 3 (1990, Jeff Burr)
THE LEGENDARY BILLY B. (1987, Chris Thomson)
THE LEOPARD MAN (1943, Jacques Tourneur)
THE LETTER PEOPLE, EPISODE 1- MEET MR. M (1974, Elayne Reiss-Weimann & Rita Friedman)
THE LETTER PEOPLE, EPISODE 2- MEET MR. T (1974, Thomas McDonough)
THE LETTER PEOPLE, EPISODE 23- MEET MR. G (1974, Thomas McDonough)
LEVIATHAN (1989, George P. Cosmatos)
LIFE AT THE OUTPOST (1979, Skatt Bros.)
LIFEFORCE (1985, Tobe Hooper)
THE LIMITS OF CONTROL (2009, Jim Jarmusch)
LIZARD IN A WOMAN'S SKIN (1971, Lucio Fulci)
LONE WOLF MCQUADE (1983, Steve Carver)
THE LOVELESS (1982, Kathryn Bigelow & Monty Montgomery)

M
THE MACHINIST (2004, Brad Anderson)
MACSHAYNE: WINNER TAKES ALL (1994, E.W. Swackhamer)
MADIGAN (1968, Don Siegel)
MAN ON WIRE (2008, James Marsh)
MANHUNTER (1986, Michael Mann)
MANIAC! (1980, William Lustig)
MANIAC COP 2 (1990, William Lustig)
THE MANITOU (1978, William Girdler)
MARY (2008, Abel Ferrara)
MAXIMUM OVERDRIVE (1986, Stephen King)
THE MECHANIC (1972, Michael Winner)
MEN AT WORK (1990, Emilio Estevez)
MESSENGER OF DEATH (1988, J. Lee Thompson)
MIDNIGHT IN THE GARDEN OF GOOD AND EVIL (1997, Clint Eastwood)
METROPOLITAN (1990, Whit Stillman)
MIRACLE MILE (1988, Steve De Jarnatt)
MISSING IN ACTION (1984, Joseph Zito)
MISSION TO MARS (2000, Brian De Palma)
MISTER LONELY (2008, Harmony Korine)
MODESTY BLAISE (1966, Joseph Losey)
MORTUARY ACADEMY (1988, Michael Schroeder)
MOTHER OF TEARS (2008, Dario Argento)
MR. MAJESTYK (1974, Richard Fleischer)
MR. NORTH (1988, Danny Huston)
MURDER ROCK (1984, Lucio Fulci)
MY BEST FRIEND IS A VAMPIRE (1987, Jimmy Huston)
MY OWN WORST ENEMY (2008, Jason Smilovic)
MY SCIENCE PROJECT (1985, Jonathan R. Betuel)
MY SON, MY SON, WHAT HAVE YE DONE? (2009, Werner Herzog)
MY WINNIPEG (2008, Guy Maddin)

N
THE NAME OF THE ROSE (1986, Jean-Jacques Annaud)
NATIONAL TREASURE: BOOK OF SECRETS (2007, Jon Turteltaub)
THE NEVERENDING STORY II: THE NEXT CHAPTER (1990, George Miller)
THE NEW YORK RIPPER (1982, Lucio Fulci)
NEW YORK STORIES (1989, Martin Scorsese, Francis Ford Coppola, & Woody Allen)
NIGHT MOVES (1975, Arthur Penn)
NIGHTFALL (1957, Jacques Tourneur)
A NIGHTMARE ON ELM STREET 5: THE DREAM CHILD (1989, Stephen Hopkins)
A NIGHTMARE ON ELM STREET 6: FREDDY'S DEAD (1991, Rachel Talalay)
NOT QUITE HOLLYWOOD (2009, Mark Hartley)
NOWHERE TO HIDE (1987, Mario Azzopardi)

O
O.C. AND STIGGS (1985, Robert Altman)
OBSESSION (1976, Brian De Palma)
THE OCTAGON (1980, Eric Karson)
THE OFFENCE (1972, Sidney Lumet)
ONCE UPON A TIME IN MEXICO (2003, Robert Rodriguez)
OUT FOR JUSTICE (1991, John Flynn)
THE OUTFIT (1973, John Flynn)
OUTRAGEOUS! (1977, Richard Benner)

P
THE PARK IS MINE! (1986, Steven Hilliard Stern)
PAST MIDNIGHT (1991, Jan Eliasberg)
PATTY HEARST (1988, Paul Schrader)
PARANORMAL ACTIVITY (2009, Oren Peli)
PELTS (2006, Dario Argento)
PHASE IV (1974, Saul Bass)
PHENOMENA (1985, Dario Argento)
PICKUP ON SOUTH STREET (1953, Sam Fuller)
PIECES (1982, Juan Piquer Simón)
PIRANHA II: THE SPAWNING (1981, James Cameron)
THE PIRATE MOVIE (1982, Ken Annakin)
PLANET OF THE VAMPIRES (1965, Mario Bava)
POLTERGEIST (1982, Tobe Hooper & Steven Spielberg)
POOR PRETTY EDDIE (1975, Chris Robinson & David Worth)
PREDATOR 2 (1990, Stephen Hopkins)
PRINCE OF DARKNESS (1987, John Carpenter)
THE PRINCE OF PENNSYLVANIA (1988, Ron Nyswaner)
THE PRINCIPAL (1987, Christopher Cain)
PRIVATE PARTS (1972, Paul Bartel)
PROM NIGHT (1980, Paul Lynch)
PROM NIGHT II: HELLO MARY LOU (1987, Bruce Pittman)
THE PROWLER (1981, Joseph Zito)
PSYCHO (1998, Gus van Sant)
PUMP UP THE VOLUME (1990, Allan Moyle)
PUSS IN BOOTS (1988, Eugene Marner)

Q
Q & A (1990, Sidney Lumet)
QUIET COOL (1986, Clay Borris)

R
THE RAGE (1997, Sidney J. Furie)
RAGING BULL (1980, Martin Scorsese)
RAIDERS OF THE LOST ARK (1981, Steven Spielberg)
RAISING CAIN (1992, Brian De Palma)
RAMBO: FIRST BLOOD PART II (1985, George Cosmatos)
RAMBO III (1988, Peter MacDonald)
RAMBO IV (2008, Sylvester Stallone)
RAWHIDE: "DUEL AT DAYBREAK" (1965, Sutton Roley)
REAL COTTON CANDY (????, United States)
[•REC] (2007, Jaume Balagueró & Paco Plaza)
RED DAWN (1984, John Milius)
RED DRAGON (2002, Brett Ratner)
RED ROCK WEST (1993, John Dahl)
THE RED SKELTON SHOW: "FANCY FOOTWORK" (1952, Martin Rackin)
REDNECK COUNTY RAPE (1975, Chris Robinson & David Worth)
RENT-A-COP (1987, Jerry London)
THE RESURRECTED (1992, Dan O'Bannon)
THE RESURRECTION OF BRONCHO BILLY (1970, James R. Rokos)
REVENGE OF THE NINJA (1983, Sam Firstenberg)
REVOLVER (1973, Sergio Sollima)
RHINESTONE (1984, Bob Clark)
ROADGAMES (1981, Richard Franklin)
ROADIE (1980, Alan Rudolph)
ROBOT JOX (1990, Stuart Gordon)
ROCK 'N ROLL HIGH SCHOOL (1979, Joe Dante & Allan Arkush)
ROCK 'N ROLL NIGHTMARE (1987, John Fasano)
ROLLER BOOGIE (1979, Mark L. Lester)
ROLLING THUNDER (1977, John Flynn)
THE ROOKIE (1990, Clint Eastwood)
THE ROOM (2003, Tommy Wiseau)
RUNAWAY TRAIN (1985, Andrei Konchalovsky)
RUNNING SCARED (1986, Peter Hyams)
RYAN'S DAUGHTER (1970, David Lean)

S
SALSA (1988, Boaz Davidson)
SALUTE OF THE JUGGER (1989, David Webb Peoples)
SATURN 3 (1980, Stanley Donen)
SAVAGE STREETS (1984, Danny Steinmann)
SAVE ME (1994, Alan Roberts)
SCREAMERS (1995, Christian Duguay)
SEE YOU AT THE CAST PARTY, IRONSIDE (2010, Sean Gill)
SEINE GROSSE ERFOLGE (1969, Heino)
THE SERPENT AND THE RAINBOW (1988, Wes Craven)
SEVEN DAYS IN MAY (1964, John Frankenheimer)
SHARKY'S MACHINE (1981, Burt Reynolds)
THE SHOOTIST (1976, Don Siegel)
SILENT LIGHT (2007, Carlos Reygadas)
SILENT RAGE (1982, Michael Miller)
THE SILENT WORLD (1956, Jacques Cousteau & Louis Malle)
SILVER BULLET (1985, Daniel Attias)
SIMPLE MEN (1992, Hal Hartley)
SLEEPWALKERS (1992, Mick Garris)
SLUGS THE MOVIE (1988, Juan Piquer Simón)
SLUMDOG MILLIONAIRE (2008, Danny Boyle)
SMITHEREENS (1982, Susan Seidelman)
SOUTHERN COMFORT (1981, Walter Hill)
SPACEHUNTER: ADVENTURES IN THE FORBIDDEN ZONE (1983, Lamont Johnson)
SPASMO (1974, Umberto Lenzi)
SPIDER BABY (1964, Jack Hill)
ST. IDES MALT LIQUOR JINGLE (1992, Ice Cube)
ST. IVES (1976, J. Lee Thompson)
THE STAND (1994, Mick Garris)
STAR 80 (1983, Bob Fosse)
STAR CRYSTAL (1985, Lance Lindsay)
STEPFATHER 2: MAKE ROOM FOR DADDY (1989, Jeff Burr)
THE STONE KILLER (1973, Michael Winner)
STRAIGHT TIME (1978, Ulu Grosbard)
STRAIT-JACKET (1964, William Castle)
STREET SMART (1987, Jerry Schatzberg)
STREET TRASH (1987, J. Michael Muro)
STRIPTEASE (1986, Jerry Ciccoritti)
STRIPTEASE (1996, Andrew Bergman)
STROKER ACE (1983, Hal Needham)
STUCK (2008, Stuart Gordon)
THE STUFF (1985, Larry Cohen)
THE SUBSTITUTE (1996, Robert Mandel)
SUMMER HOURS (2009, Olivier Assayas)
SURVIVAL OF THE DEAD (2010, George A. Romero)
SURVIVAL QUEST (1989, Don Coscarelli)
SURVIVING THE GAME (1994, Ernest R. Dickerson)
SUSPIRIA (1977, Dario Argento)
SWAMP THING (1982, Wes Craven)
SWING SHIFT (1984, Jonathan Demme)
SWITCHBLADE SISTERS (1975, Jack Hill)

T
THE TAKING OF POWER BY LOUIS XIV (1966, Roberto Rossellini)
TALES FROM THE CRYPT: "CUTTING CARDS" (1990, Walter Hill)
TALES OF THE CITY (1993, Alastair Reid)
THE TALL T (1957, Budd Boetticher)
TAPEHEADS (1988, Bill Fishman)
TAXICAB WARS (1983, Gilbert M. Shilton)
TEACHERS (1984, Arthur Hiller)
TELEFON (1977, Don Siegel)
THE TEXAS CHAINSAW MASSACRE (1974, Tobe Hooper)
THE TEXAS CHAINSAW MASSACRE 2 (1986, Tobe Hooper)
THE TEXAS CHAINSAW MASSACRE 3 (1990, Jeff Burr)
THEY LIVE (1988, John Carpenter)
THE THING (1982, John Carpenter)
THE THIRD MIRACLE (1999, Agnieszka Holland)
THIS WOMAN IS DANGEROUS (1952, Felix E. Feist)
THREE MEN AND A BABY (1987, Leonard Nimoy)
THE THREE MUSKETEERS (1973, Richard Lester)
THUNDER ROAD (1958, Arthur Ripley)
THE TINGLER (1959, William Castle)
TOMBSTONE (1993, "George Cosmatos" & Kurt Russell)
TOP GUN (1986, Tony Scott)
TOTAL RECALL (1990, Paul Verhoeven)
TOURIST TRAP (1979, David Schmoeller)
TRANCERS (1985, Charles Band)
TRICK 'R TREAT (2009, Michael Dougherty)
TRON (1982, Steven Lisberger)
TROUBLE THE WATER (2008, "Tia Lessin & Carl Deal")
TRUE CRIME (1999, Clint Eastwood)
TRUST (1990, Hal Hartley)
TUAREG: THE DESERT WARRIOR (1984, Enzo G. Castellari)
TWIN PEAKS: FIRE WALK WITH ME (1992, David Lynch)
TWINS (1988, Ivan Reitman)

U
UNDER SIEGE (1992, Andrew Davis)
USED CARS (1980, Robert Zemeckis)

V
THE V WORD (2006, Ernest R. Dickerson)

VALERIE AND HER WEEK OF WONDERS (1970, Jaromil Jires)
VAMPIRE'S KISS (1988, Robert Bierman)
VAMPIRE'S SECRET ICE POPS (1993, United States)
VIGILANTE (1983, William Lustig)
VIOLENT CITY (1970, Sergio Sollima)
VISION QUEST (1985, Harold Becker)
VISITING HOURS (1982, Jean-Claude Lord)

W
W. (2008, Oliver Stone)
W.G.O.D. (1985, Mike Hodges)
THE WANDERERS (1979, Philip Kaufman)
WAXWORK (1988, Anthony Hickox)
WEDLOCK (1991, Lewis Teague)
WEEKEND AT BERNIE'S (1989, Ted Kotcheff)
THE WHITE BUFFALO (1977, J. Lee Thompson)
WHITE DOG (1982, Sam Fuller)
WHITE HUNTER, BLACK HEART (1990, Clint Eastwood)
WHITE LINE FEVER (1975, Jonathan Kaplan)
WHITE SANDS (1992, Roger Donaldson)
WHO AM I THIS TIME? (1982, Jonathan Demme)
WILD AT HEART (1990, David Lynch)
THE WILD ONE (1953, Laslo Benedek)
THE WILLIES (1991, Brian Peck)
WINNING (1969, James Goldstone)
THE WIZARD (1989, Todd Holland)
THE WORST WITCH (1986, Robert Young)
THE WRESTLER (2008, Darren Aronofsky)

X

Y
YOU, THE LIVING (2009, Roy Andersson)
YOU ARE A MONSTER (1988, Edward Packard)

Z
ZERO EFFECT (1998, Jake Kasdan)
ZIP ZAP RAP (1986, Devastatin' Dave the Turntable Slave)

Wednesday, September 1, 2010

Film Review: O.C. AND STIGGS (1985, Robert Altman)

Stars: 2.5 of 5.
Running Time: 109 minutes.
Notable Cast or Crew: Daniel Jenkins (GLORY, CRADLE WILL ROCK), Neill Barry (AMITYVILLE 3-D, FATAL BEAUTY), Paul Dooley (DEATH WISH, TALES OF THE CITY), Jon Cryer (PRETTY IN PINK, GLAM), Ray Walston (THE APARTMENT, EERIE INDIANA), Cynthia Nixon (SEX AND THE CITY, TANNER '88), Victor Ho (Hill's CROSSROADS, Kitano's BROTHER), Melvin van Peebles (SWEET SWEETBACK'S BADASSS SONG, WATERMELON MAN), King Sunny Ade and Bob Uecker as themselves, Nina Van Pallandt (AMERICAN GIGOLO, THE LONG GOODBYE), Martin Mull (CLUE, FM, 'Gene Parmesan' on ARRESTED DEVELOPMENT), Jane Curtin (THIRD ROCK FROM THE SUN, CONEHEADS), and a very special appearance by Dennis Hopper.
Tag-lines: "A Robert Altman Film."
Best one-liner: "Loud, real loud. It has to generate a terrifyingly seismic field of noise. If we could combine really loud noise with the ugliness of poverty, we'd have the ideal car."

Disturbed by the popularity of hollow teen fare and Reagan consumerism, Robert Altman deigned to make his very own juvenile 80's romp- the idea being that it would be a scathing send-up of the films which were currently all the rage.



Unfortunately, the script and the execution, based on a NATIONAL LAMPOON article entitled "The Utterly Monstrous Mind-Roasting Summer of O.C. and Stiggs," are disastrous, and, based upon popular opinion, it's not the fault of the source material. Furthermore, our two leads, Neill Barry and Daniel Jenkins, though basically designed to be unlikable, are simply insufferable. I couldn't help but keep wishing that I were watching, say, James LeGros and Anthony Edwards, who actually would've been perfect in the roles:

Am I right or am I right?

In terms of actual content, the film is a series of malicious yet dopey pranks (beginning with the MGM lion whimpering "oooceee...stigggs" instead of its usual roar) perpetuated by O.C. and Stiggs, first upon a bourgeois family who have wronged them, and later upon Western civilization in general. The customary satirical barbs are flung primarily at targets such as menopause, insurance salesmen, and kitschy lawn decor. A typical groan-inducing joke within O.C. & STIGGS would be the following:
"It was the last case that gramps had before he retired... she got off with a hung jury."
–"They hung the whole jury?"
...

"It failed quite successfully," later mused Altman, and I must agree with the master that it is one of the weakest- if not the weakest film he ever made. (Feel free to debate the merits of QUINTET, BEYOND THERAPY, POPEYE, and DR. T & THE WOMEN in the comments section). Curiously, Altman admits in the DVD's special features that he would often have friends over who would want to watch 'an Altman film' while they were hanging out at his place– and often, according to the man himself, these (hopefully booze-soaked and wisecracking) guests would request to see O.C. AND STIGGS. Go figure.

Despite it all, great swathes of O.C. AND STIGGS remain fairly watchable. And most of the actors, from the effervescent young Cynthia Nixon to the crusty Paul Dooley to the dweeby Jon Cryer to the dipsomaniacal (she's got a flask in her oven mitt!) Jane Curtin, acquit themselves accordingly. So allow me to explain in detail a few of the elements which prevent this flick from becoming one of the absolute worst of the 1980's:


#1. "We need some brain-powered liquor!" Melvin Van Peebles is 'Wino Bob,' our dynamic duo's number one booze connection, who, coincidentally, lives in the oleander bushes behind the local 7-11.

One exchange where he describes the dangers of being snuck up upon by 'Sneaky Pete Wine,' is particularly illuminating. He explains that Abe Lincoln embarked upon a serious Sneaky Pete binge the evening before signing the Emancipation Proclamation, but when reality set in, there was the inevitable "Whutttt? I freed the who?!..." It's a true-to-form Peebles moment that, unlike most of the satire here, actually hits its mark.

#2. Dennis Hopper as 'Dennis Hopper in APOCALYPSE NOW.'

I guess 1985 was a big year for Hopper to repeat past performances (he also appeared in MY SCIENCE PROJECT as his character from EASY RIDER). While playing 'Ride of the Valkyries' over footage of helicopters is the laziest form of parody, Hopper himself never ceases to amuse. At one point, he hands a teen a grenade- "This is real!" exclaims the kiddie. "Everything gets to be, sooner or later," murmurs Hopper in that inimitable, whacked-out way which he is wont to do.

#3. Ray Walston enthusiastically muttering phrases like "God-damn huevos!"

This pretty much speaks for itself.

#4. MONSTER TRUCKS

I really can never say anything bad about monster trucks. Or regular trucks made to resemble monster trucks. Monster trucks're good. I like monster trucks.

#5. Martin Mull, AKA... the show-stopper.

For about three glorious minutes, this becomes a five-star movie, and it's all thanks to the moneyed, tiki-swigging bastard played by Mull. O.C. and Stiggs wander into his nouveau riche, island-themed backyard and find themselves in a bizarre alternate universe run by the Captain Ron of sweatshop owners. "Have a double or a triple," Mull commands, whilst offering umbrella drinks- "There are no singles here." Rules to live by, Mr. Mull. He then reclines in his plush 80's basement furniture and pontificates, "I wonder what the poor people are doing tonight..." He allows the comment to settle into the tranquil night air. "I know where 634 of them are gonna be Monday morning... working in my sweatshop." Alright, Mr. Mull- you just earned this movie an extra star.

So, in the end, O.C. AND STIGGS cannot be labeled an utter failure. In fact, as per these highlights, it could be categorized as a 'fragmentary success.' And perhaps nowhere else does the film succeed more than in convincing the viewer it's in their best interests to avoid the 110-degree, sun-bleached, bilious, gelatinous ignominies of Phoenix, Arizona...

Two and a half stars.

-Sean Gill