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Showing posts with label Mary Ellen Trainor. Show all posts
Showing posts with label Mary Ellen Trainor. Show all posts

Thursday, October 21, 2010

Film Review: THE MONSTER SQUAD (1987, Fred Dekker)

Stars: 4 of 5.
Running Time: 82 minutes.
Notable Cast or Crew: Co-written and directed by Fred Dekker (NIGHT OF THE CREEPS, ROBOCOP 3, writer of HOUSE), co-written by Shane Black (LETHAL WEAPON, KISS KISS BANG BANG, THE LAST BOY SCOUT). Starring Andre Gower, Robby Kiger (CHILDREN OF THE CORN), Brent Chalem ("Tubby" in DANCE 'TIL DAWN, "Spud" on PUNKY BREWSTER), Stephen Macht (TRANCERS III, GALAXINA, GRAVEYARD SHIFT), Tom Noonan (MANHUNTER, HOUSE OF THE DEVIL), Jon Gries ("Roger Linus" on LOST, RUNNING SCARED, TERRORVISION), Jack Gwillim (LAWRENCE OF ARABIA, PATTON), Leonardo Cimino (DUNE, HUDSON HAWK), Duncan Regehr (V, THE LEGEND OF ERROL FLYNN), Jason Hervey ('Wayne' on THE WONDER YEARS, PEE-WEE'S BIG ADVENTURE), Stan Shaw (TRUCK TURNER, ROCKY). Music by Bruce Broughton (TOMBSTONE), songs by Michael Sembello (of 'Maniac' fame). Executive produced by Peter Hyams (RUNNING SCARED, BUSTING, 2010, OUTLAND, THE RELIC).
Tag-line: " You know who to call when you have ghosts but who do you call when you have monsters?"
Best one-liner: See review.

A clever cash-in on THE GOONIES' success and a throwback to the classic Universal monster flicks which tried to jam as many monsters into one movie as was humanly possible (HOUSE OF FRANKENSTEIN, HOUSE OF DRACULA, FRANKENSTEIN MEETS THE WOLF MAN, ABBOTT AND COSTELLO MEET FRANKENSTEIN), THE MONSTER SQUAD is a loving tribute to an age where one's primary curiosities lie in the morbid, the dark, the gross, and the monstrous. As such, Shane Black and Fred Dekker bring us a clever (but not too clever for its own good), self-referential (a decade before Kevin Williamson), tightly-wound (82 minutes!) horror film whose primary- nay, only- objective is to ensure that we have a hell of a good time. And though copyright issues disallowed the makers from using the actual Universal monsters, we have extremely solid Stan Winston facsimiles, and there are enough obscure nods to the originals (armadillos in Dracula's castle!) to satisfy the die hards. I shall now proceed with an empirical analysis of THE MONSTER SQUAD, one which seeks to separate MYTH from FACT:

MYTH: Dracula is class. He's all about the opera, and literature, and Gothic architecture, and, oh yes, that inconvenient matter that comes up from time to time– that of drinking your blood.
FACT: Dracula, in THE MONSTER SQUAD, is a total douchebomb. His nonstop dickery imperils not only the members of the titular Monster Squad, but even his fellow monsters as well. Will Dracula be having your son?

You bettah believe he'll be having your son. What if a gang of kids starts harassing him?


He will blast their treehouse to shit with dynamite and mutter to himself smugly, "Meeting adjourned." Just look at his face:

Have you ever seen a vampire more pleased with himself? Have you seen a monster with a more blatantly self-congratulatory attitude?
And while I guess this was the era of the PG-13, I love the way he deals with a five-year old girl who's got the mystical monster amulet:


The first time I saw this I was sort of disappointed with Duncan Regehr's take on Dracula, but now with the benefit of age and wisdom, I've gotta say: like the fine wine (that he never drinks), Drac's incessant, unrelenting superior form of douchebaggery only improves with age.

MYTH: Dracula can change his form, but he's limited to man, wolf, and bat.


FACT: Well, if we're counting one-frame subliminal messages, add "Bulging-Eyes-Skull-Head-Monster-Man" to the list. (Maybe this is somehow related to Dracula's headscratching appearance as "The Grim Reaper" in CASTLEVANIA II: SIMON'S QUEST?)

MYTH: Dracula cannot journey in daylight.

FACT: Evidently he can, in bat form, whilst exiting a vintage B-24 that he's commissioned. And is this some kind of abstruse reference to the B-24s used in the WWII bombing of Ploesti, Romania, the same nation whose borders lay claim to Transylvania?

MYTH: Jon Gries would make a pisspoor Wolf Man.


FACT: After cutting his teeth on roles like "O.D. the Metalhead" in TERRORVISION and "King Vidiot" in JOYSTICKS, he possessed the necessary derangement to pull of an extremely solid Wolf Man, and one with occasional pathos to boot.

MYTH: A Wolf Man traverses this life without 'Nards.
FACT: See below.





MYTH: The Wolf Man can be killed by stuffing dynamite down his pants, defenestrating him, and exploding him above a deserted alleyway as he plummets to the ground.

FACT: Only a silver bullet can kill the Wolf Man. (And what precisely does this movie have against Wolf Man genitalia, anyway?)

MYTH: Like many a lame-ass kids' movie since, THE MONSTER SQUAD censors itself.

FACT: No. It refuses to. It keeps the foul-mouthed pre-teens, the gore (watch for Dracula's brides munching on furry animals, raw- amongst other things), the five-year old girls being strangled and called bitches (see above), and all the other stuff that lets kids know they're not being pandered to.

MYTH: When the (quasi) Universal Monsters get together, they commence with death and destruction... immediately!

FACT: Actually, they simply cavort with one another in a shot which (comically, but surely unintentionally) goes on for about three seconds too long.

MYTH: The Creature from the Black Lagoon is underrated.

FACT: No, The Creature from the Black Lagoon is rated just as he should be. Hands down, the shittiest of the mainstream Universal Monsters, I'd rather see his #5 spot occupied by Mr. Hyde, the Hunchback of Notre Dame, the Man who Laughs, the ape from Rue Morgue, the Invisible Man, the Bride of Frankenstein, Dr. Pretorius, the crazy brother from THE OLD DARK HOUSE, Poelzig from THE BLACK CAT, or even a random Mole Person from THE MOLE PEOPLE. That being said, Stan Winston did a pretty superb job of reimagining him for the 1980's. And I guess the Creature gets a few points for having Clint Eastwood in the sequel. Anyway.

MYTH: Harold Ramis was the first to consider a film entitled GROUNDHOG DAY.
FACT: A fictional flick named 'GROUNDHOG DAY' is viewed within MONSTER SQUAD, a reference to the many 'holiday-themed slashers' which ruled the video shelves of the 1980's.

MYTH: TERMINATOR 2 was the first movie to end with a corny, gargantuan father figure sacrificing himself to the pit in order that others may live.
FACT: THE MONSTER SQUAD makes a pretty good go of it with Tom Noonan's Frankenstein.

Noonan is great. At 6'6'', he makes for a great Monster. Although never did I think I'd see 'Francis Dollarhyde' (the name of his character in MANHUNTER) holding a little girl's hand in a genuinely sentimental moment.

His catchphrase is "Bogus!," which should be enough to make your average FRANKENSTEIN fan's hair curl in dismay, but somehow Noonan imbues the role with enough sincerity that he makes those cringeworthy moments extremely palatable.

MYTH: "The problem is two-thousand year-old dead guys do not get up and walk away by themselves."

FACT: "See ya later, Band-Aid Breath!"

MYTH: It is impossible to 'rap' adequately about "amulets."
FACT: Stay for the end credits, and listen for yourself. I'm not saying that Michael Sembello should be named Poet Laureate or anything, but give him a chance.

Four stars.

-Sean Gill

Wednesday, May 5, 2010

Film Review: KUFFS (1992, Bruce A. Evans)

Stars: 4.5 of 5.
Running Time: 102 minutes.
Tag-line: "When you have attitude - who needs experience?"
Notable Cast or Crew: Written and directed by Bruce A. Evans (writer of STARMAN, STAND BY ME, and JUNGLE 2 JUNGLE). Christian Slater, Milla Jovovich, Bruce Boxleitner, Ashley Judd, Don S. Davis (Major Briggs on TWIN PEAKS). Music by Harold Faltermeyer (TOP GUN, FATAL BEAUTY, TANGO & CASH).
Best one-liner: "Now I hate to repeat myself, so, you're all under arrest, come out in front of the cars, and lay down on the ground or something."

'Why are we doing so much running? Aren't we all going to be in cars?!' Personally I never thought that the Slater Factor could eclipse the zenith it reached in HEATHERS. Well, guess what? I was wrong. What we have here is somehow the love child of DIRTY HARRY and FERRIS BUELLER'S DAY OFF.
With a healthy sprinkling of TURNER & HOOCH?

And Slater is somehow the exact median point between Eastwood and Broderick. Man, this day is full of firsts- I just compared Slater to other performers and never once mentioned Jack Nicholson! Plus, the movie is called KUFFS. And Slater's character is named George Kuffs. If you can't appreciate the simple bone-headed beauty in that, then you probably shouldn't be watching Slater movies anyway.

Now you might've already heard that KUFFS breaks the fourth wall. You hear that a lot- then, as it turns out, there's a throwaway line directed at the camera, or a wink and a nod here or there... maybe something at the very beginning, or something at the tail end, or something similarly half-assed. Now I must inform you that KUFFS does not break the fourth wall– it SMASHES it into a thousand shards and bits of plaster, arches its eyebrows, then says with a smarmy grin, "Am I gonna be tested on this later?"
I've never seen a fourth wall pummeled quite so aggressively- Slater was constantly talking to ME.
He was telling ME about his life, he was narrating to ME, he was revealing to ME his innermost thoughts.
And sometimes said innermost thoughts are uttered in the presence of Don S. Davis.

He was cracking jokes with ME, he was yelling for ME get the hell out of his bathroom.
It was a singular experience.

But just when you think this movie is all about dismantling the fourth wall, it reveals that it's additionally all about Slater dancing around the apartment, wearing only stonewashed, tapered 90's jeans.
Dancin with Jovovich.

Dancin' with the champagne.

Dancin' on the bed.

A dance session cut short.

And just when you think that between the fourth-wall shenanigans and the jeans dancin', they can't possibly introduce any more rich visual tropes- BOOM- they blow up some turkeys.
Two of 'em. Why? Gives Slater somethin' to arch his eyebrows about.
Kinda Heyyy what's this, they blew up my dinner!

I get the feeling that Bruce A. Evans had been watching a lot of Peckinpah and Argento before making KUFFS, as he demonstrates a heartfelt devotion to breathtaking, super-slomo action photography. One scene in particular follows the trajectory of an actual bullet, shot at a frame rate much higher than your average Hollywood slo-mo. I wouldn't be surprised if they'd used a special high-speed camera designed for scientific use, because the film stock doesn't even quite match the rest of the film.
The result is an incredibly elegant sequence which admittedly feels a touch out of place in a film that also contains the following frame:
...

In any event, after 100 minutes of crass Slater irreverence, misogyny, and all-out misanthropy; the movie abruptly ends on a possibly sincere pro-women message picture note with Slater saying: 'Women. If it weren't for them, there'd be no civilization.'
Whaaaaaaat?! Congratulations and bravo, Mr. Kuffs. Here's four and a half stars. Wait, don't squint your eyes, lower your sunglasses, and arch your eyebrows all shocked-like . You can't possibly be surprised. Wait, are you laughing?! Eh, you got me again, ya likable smart aleck!

-Sean Gill


Junta Juleil's Summer '10 Movie Series
1. HELL IN THE PACIFIC (1968, John Boorman)

2. KUFFS (1992, Bruce A. Evans)
3. ...