Only now does it occur to me... that Sylvester Stallone could have easily been a DEATH WISH punk!
Near the beginning of BANANAS, Woody Allen's Latin America-regime change-screwball-comedy, our nebbish hero is accosted by two Italian American thugs, one of whom is an extremely young Sylvester Stallone. (It begins exactly as a scene from DEATH WISH, though that film wouldn't come out for three years.) He steals a woman's hat and begins molesting an old lady with crutches
when Paul-Kersey-in-training Woody Allen takes the initiative
and tosses their asses off the train. Of course, as in real life, the subway doors reopen when least expected and/or appreciated
Near the beginning of BANANAS, Woody Allen's Latin America-regime change-screwball-comedy, our nebbish hero is accosted by two Italian American thugs, one of whom is an extremely young Sylvester Stallone. (It begins exactly as a scene from DEATH WISH, though that film wouldn't come out for three years.) He steals a woman's hat and begins molesting an old lady with crutches
when Paul-Kersey-in-training Woody Allen takes the initiative
and tosses their asses off the train. Of course, as in real life, the subway doors reopen when least expected and/or appreciated
and the Italian Stallion takes his revenge, chasing Allen down the train car to an uncertain fate. Alas, there is no Bronson.
I'm not gonna lie to you– it's the highlight of the film. Woody Allen's films are often pretty hit or miss for me, and this one hasn't aged too gracefully. It's Zany with a capital 'Z,' and occasionally is Konsciously Kooky enough make a Benny Hill sketch seem understated. Still, I say Stallone counts for plenty!
